Archive for category Obscure Gems
Night Of The Living Dead: Reanimated Breathes New Life Into A Genre Classic
Posted by Matt in Horror, Movies, New Releases, Obscure Gems, Zombies on December 6th, 2009
There seems to be a dearth of new ideas in horror (as Chris recently discussed during his post about endings). The movie studios are pumping out unimaginative films to satiate general moviegoers who know little about the genre. The remake machine is showing no signs of fatigue. It’s all a very depressing statement for horror fans to swallow. But what reassures me is that the horror community is a tight-knit one, filled with impassioned fans that make it their business to share quality films with each other. There’s good stuff out there – we just have to find it. This week, I found one to share with you.
I was fortunate enough to attend a small screening of Night Of The Living Dead: Reanimated at one of my favorite local bars, Clash Bar in Clifton, New Jersey (shameless promotion). If you haven’t heard of it, NOTLD:Reanimated is a collaborative art/film project that literally animates Romero’s classic. The film’s “curator”, Mike Schneider, worked with more than 150 artists from around the world who recreated the film from their own perspective. It uses the original audio track from Night Of The Living Dead and laid on top of it are the artists’ work to illustrate the action. Because the producers used so many artists, the 2-hour long film spans a vast variety of interpretations – think Barbara talking to Ben in pencil sketching still images one minute and then moving claymation the next.
As I sat in the darkened room with about 20 other attendees, the film’s promoters, Rob Hauschild and Peter Gutierrez, kicked off the screening with a few questions. “How many of you love Night of the Living Dead,” Gutierrez asked. My hand promptly rose along with everyone else. “Now, who loves modern horror remakes,” he said with an air of sarcasm. A series of grumblings, grunts and groans emanated from the crowd including my brilliant observation that went something like “ehhhh not so much.”
“That’s good,” he told us. “Night of the Living Dead:Reanimated is the antidote to remakes.”
From an artistic perspective, it’s cool to see how the same film can be reinterpreted so many ways and the project netted some strong images, both eerie and comical. NOTLD:Reanimated isn’t the most frightening interpretation of Romero’s vision but that’s fine with me. At times, the juxtaposition of audio track and the images on screen are laugh-out-loud funny because the artists choose unexpected ways to portray the action. My personal favorite was the cast animated as talking animals trying to decide how to survive a zombie apocalypse. They look out the window and a bunch of zombie cats are marching toward them. Other highlights include World of Warcraft computer animation, Barbie dolls and sock puppets.
I heard some guy at the bar before the screening commenting about how he wasn’t sure if he was going to sit through this again because the Schneider’s choices of images didn’t always “capture the dark vibe of the movie.” While I can understand that, I think he’s missing the point. This is a completely different take on Romero’s film, one rooted more in homage than strict authenticity. Just don’t go into this expecting to be frightened. Still, I found several of the artist images/animations to be unsettling. Check these out:


Most importantly, NOTLD:Reanimated is something different. It’s an artistic vision brought to the horror genre just when we need it. You won’t find anything else out there quite like it. It’s not for everyone, either and I like that. It was made primarily for genre fans already intimately familiar with Night of the Living Dead. I didn’t find the narrative difficult to follow through the images but maybe that’s because I already know it well enough. But even if you aren’t familiar with the original (if you’re reading this, you probably are) NOTLD:Renamiated may still be interesting. As one of the film’s producers told the audience, “it’s a good movie if you have Attention Deficit Disorder…it’s like walking into a museum of Night of the Living Dead.”
Check out the official site at http://www.notldr.com for more information. They’re also selling some pretty cool merchandise if you feel like supporting the artists. The film is set to be released in March and I highly recommend picking it up.
The Cottage: Obscure Gems Review
Posted by Chris in Horror, Movies, Obscure Gems on October 20th, 2009
So, Here’s the set up. David (Andy Serkis)—Yes , Gollum—and his brother Peter (Reece Shearsmith) pull up to a deserted cottage with an unconscious big-breasted blonde, Tracey, (Jennifer Ellison) tied up and gagged in the trunk of their car. Sounds typical? Well, five minutes later, the brilliant dialogue and well executed classic odd couple pairing has charmed any clichéd thoughts out of your mind.
The Cottage (2008) unfolds from there, by introducing the characters and the back story person by person and piece by piece; with each unveiling more amusing than the last. Peter is a family man with an overbearing obese wife whose criminal-minded brother, David, has talked him into pulling off the kidnapping of a London gang boss’s daughter, Tracey, for a heavy ransom. Tracey, from the moment her eyes spring open, deals the damsel-in-distress cliché head butts, curses, and whatever other violence she can throw her captors way.
After Tracey awakens, the flood gates open with horror and comedy pouring forth beginning with the introduction of David and Peter’s inside-man, Andrew, Tracey’s dim-witted step-brother who arrives with a ski mask that only covers his forehead and chin. Unknown to Andrew, he and Tracey’s father has sent his Chinese hitmen to tail him with orders to kill everyone and reclaim Tracey.
The rest of the films drops the last twenty minutes of Fargo (1996) and Texas Chainsaw Massacre (1974) into a blender; the resulting mix is pure fun and hilarity. After people start dying unexpectedly, Tracey escapes and the three conspirators chase her into a creepy farm house equipped with all the usual blood soaked conventions. Giving any more away would be a bigger crime than having a freezer full of body parts, but anyway you get my drift.
Operating on clichés, The Cottage never takes itself too serious but also dishes out a few decent scares and some of the best dialogue and original running gags I’ve seen in a long time. Peter’s fear of moths, alone, is worth the price of admission. If you missed The Cottage on its first run, definitely get this one into your queue; it does for the slasher flick what Shaun of the Dead (2004) did for the zombie film.
Deadgirl Brings New Life to Repetitive Horror Genre
Posted by Chris in Horror, Movies, New Releases, Obscure Gems on October 7th, 2009
Imagine you’re a high school student that decided to cut with your to buddy to find amusement trashing an abandoned hospital, but what you find instead is a bounded and gagged woman chained up in the basement. Her naked body is a shape that you’ve only seen on magazine covers. What would you do with her?
Deadgirl (2008) gets rolling with this dilemma as friends J.T. (Noah Segan) and Rickie (Shiloh Fernandez) pry open a rusted door to discover a nameless woman, under a sheet of plastic, chained to a gurney. When they reach for her, the thin plastic moves; she is alive causing J.T. and Rickie to turn on each other when Rickie wants to let her go. J.T. has other plans.
However, J.T. discovers more than just the fulfillment of his desires. His new found friend doesn’t try to speak. She has little intelligence in her eyes, her flesh is cold to the touch, and she tries to bite like a dog, but these revelations are the least of his discoveries.
Revealing anymore about Deadgirl would be a disservice, and the little I’ve said may even be too much because this film is really about prying open the rusted door to your own mind and contemplating your own moral stand point as you experience the events through Rickie’s eyes. The direction takes the viewer right into Rickie’s world, a high school existence filled with bullies, judgment, isolation, and unrequited love.
As the film unfolds, the narrative accentuates two separate worlds, the outside world and inside the hospital where the girl lies captive in the basement; both are seen through blood smeared glasses, ugly and brutal. Rickie’s childhood love: JoAnn (Candice Accola), a girl he’s pursued since twelve, is the only bit of light that shines through as he spends his days longing for her from a distance. However, the two worlds start to mix in his mind and the barrier between these realities fade.
Despite a few gaps in logic and an arguably predictable ending, this film must be experienced for its ability to transcend its own artistic tone. While Deadgirl is pumped full of symbolism like a formaldehyde bloated corpse it also delivers a delicate sprinkling of some well placed scares, and even offers downright silly antics that just somehow fit. This manic depressive nature leaves Deadgirl somewhere between a clever think-piece and a collection of taboo-challenging fetish videos. Either way, it gets the job done, challenging ugliness, beauty, desire, and freedom along the way.
I hate to keep beating a dead girl, but the bottom line remains that this film is different, which is near impossible to accomplish in our remake happy genre. Dead Girl, after a film festival run, has finally hit the DVD and streaming video services this past September, and if you missed it, experience it, pry open that rusted basement door and decide for yourself what choices you’d make.
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